I’ve always loved to dip into speculative worlds as a way of gaining a new perspective on conundrums in the real world. In the real world, so many of us are plagued by concerns or frustrations having to do with connection and commitment, and those concerns transcend whatever place or moment we’re living in. So, by dropping those concerns into a surreal setting, I get another way to tussle with them.
In this dark comedy set during the second American Civil War, Hestia Harris is forty-two, abandoned by her husband (he left to fight for the Union cause), and estranged from her parents (they’re leaving for the Confederacy). It’s Unionists against Confederates, children against parents, friends against friends. In the midst of all this, Hestia is looking for love and friendship. She’s single and adrift, save for her coworkers and Mildred, an eighty-four-year-old, thrice-happily-married resident who gleefully supports Hestia’s half-hearted but hopeful attempts to find love again in a time of chaos and disunion. She reckons with the big questions and the little ones, all while wrestling with that boiling feeling that things are decidedly not okay.
I love how Naomi Alderman flips the mirror on our reality, building a world in which women possess great physical power over men.
Men are sometimes belittled and oppressed by women, but they’re always aware of the imbalance in power. Boys are told not to go out alone at night—and yet Alderman renders this dark satire with many laugh-out-loud moments that illuminate the hypocrisies and dysfunction of our current power dynamics.
For me, it was a reminder and a lesson in how even when you’re building a chillingly unpleasant (although plausible) world, you can still use humor to help readers understand it. By using subtle humor, Alderman makes the case that power—regardless of who holds it—is corrosive.
WINNER OF THE WOMEN'S PRIZE FOR FICTION ONE OF BARACK OBAMA'S BEST BOOKS OF 2017
'Electrifying' Margaret Atwood
'A big, page-turning, thought-provoking thriller' Guardian
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All over the world women are discovering they have the power. With a flick of the fingers they can inflict terrible pain - even death. Suddenly, every man on the planet finds they've lost control.
The Day of the Girls has arrived - but where will it end?
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'The Hunger Games crossed with The Handmaid's Tale' Cosmopolitan
'I loved it; it was visceral, provocative and curiously pertinent . . . The story has stayed…
As a writer who’s interested in what comes next—after climate change, after fascism—I love how Diane Cook uses broad brush strokes to show us the future, without going into too much history or detail.
Instead of hyper-focusing on what the future holds for us, Cook directs our attention to one small, outlier community that’s doing weird things. This is a great technique: she paints a picture of a future world by painting a picture of a fringe group that’s trying desperately to be different from the main one.
A mother-daughter drama drives the plot forward, and we learn about the rules and ruminations of the fringe group as the characters sort out their power struggles.
In Severance, Ma creates a creepy, disturbing world after a fungus has turned most humans into zombified, non-functioning blobs, some of whom need to be exterminated as an act of mercy.
But the drama does not revolve around the zombies; instead, it revolves around the interpersonal stress felt by a small group of non-zombies who have decided to travel together. In this world, as in the pre-zombie world, humans are petty, insecure, delusional, and narcissistic.
Ma also does an amazing job showing us the pre-zombie world at the moments that it transitions into this new reality. Reading it, I had the feeling of “It’s happening right now,” as I traveled with the protagonist, trying to outrun the fungus.
Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance.
"A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." ―Michael Schaub, NPR.org
“A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle
NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review…
The speculative world that Mandel builds in Sea of Tranquility involves populations of humans who live in colonies on the moon.
But this is not really a novel about life on the moon. This is a time travel story that had to be set a couple hundred years in the future, and the moon colonies are, naturally, a part of human life in that time period.
The characters’ experience of life in a moon colony is ancillary to the time travel story; Mandel gives us just enough to make it seem real and true.
NEW YORK TIMES BESTSELLER • The award-winning, best-selling author of Station Eleven and The Glass Hotel returns with a novel of art, time travel, love, and plague that takes the reader from Vancouver Island in 1912 to a dark colony on the moon five hundred years later, unfurling a story of humanity across centuries and space.
One of the Best Books of the Year: The New York Times, NPR, GoodReads
“One of [Mandel’s] finest novels and one of her most satisfying forays into the arena of speculative fiction yet.” —The New York Times
I love how George Saunders creates really weird alternate realities, but doesn’t make a big deal about it.
In Liberation Day, we learn about the inner lives of people who seem to be enslaved by being “pinioned” to a wall after they’ve been programmed to perform as storytellers for their owners. Because we’re learning about this world from the pinioned narrator, we are not subjected to any lecturing or moralizing about the situation.
Instead, we hear about his romantic yearning for his owner’s wife, and that’s the tension around which the story is built. He only gives us the details that are necessary for us to understand his yearning, giving the reader just enough information to suss out the scenario in which he finds himself captive.
Named a book of the year 2022 by the Sunday Times, The Times, Guardian, Irish Times, New Statesman, BBC and Waterstones
'One of the best science fiction short stories to be published in the 21st century so far' SFX Review
'Saunders is funny and kind as ever, and his narrative virtuosity puts him up there with the best' Anne Enright, Guardian
'A triumph of storytelling' i paper
'A joy. Effortlessly stylish, funny and smart' Daily Mail
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The first short story collection in ten years from the Man Booker Prize-winning, New York Times-bestselling author of Lincoln in the Bardo
MacArthur…
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's being investigated for a horrific crime.
As Stan tells his story, from his origins as an Anatolian sheep farmer to his custody in a Toronto police interview room, he brings a wry, anachronistic…
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one cross over. Stan has been a Hittite warrior, a Roman legionnaire, a mercenary for the caravans of the Silk Road and a Great War German grunt. He’s been a toymaker in a time of plague, a reluctant rebel in the Peasants' Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's…
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